Elevations

Held August 13 through September 29, 2004

Note from the Curator

In the three Asian nations where bonsai has the longest history—China, Japan, and Korea—it has for centuries been regarded as a fine art. A bonsai is therefore displayed in a quiet, contemplative setting where it may be enjoyed without distraction.

A bonsai in formal display is never set directly on the floor or table, but is elevated on a display stand (dai) to acknowledge its status and to raise it to a height optimum for viewing. Traditional display stands are carved from fine woods and are modeled after writing desks and food serving tables used in elegant Japanese homes. As with other supporting objects in a formal bonsai display (painting, calligraphy, viewing stone, etc.), the display stand comments on or reinforces the character of the bonsai and/or its container by means of its size, shape, color, visual weight, and simplicity or ornateness.

"Elevations" was an attempt to expand the role of the bonsai stand as an element of formal display by not only increasing the range of materials and forms permitted, but by allowing more direct and expansive comment on the scene, including the use of whimsy and political comment.

"Elevations" was a collaboration between the Bonsai Collection and eight outstanding artists, whose original works were displayed in conjunction with selected bonsai from Weyerhaeuser's permanent collection. Artists represented were:

• Deborah Dohne
• Brian Esparza
• Shirley Erickson
• Marion Pollman
• David Provan
• Wayne Shadburne
• Susan Stewart
• Deloss Webber

David De Groot, Curator

 

View the Elevations exhibit